Submissions - Enter the Prize
2021’s Keats-Shelley Poetry and Essay Prizes are open.
Two competitions open to writers of all ages.
Total Prizes worth over £5000.
- Watch Giuseppe Albano, Keats-Shelley House Curator, launch 2021’s Prize from beside John Keats’ grave in Rome’s Cimitero Acattolico.
2021’s Prize Chair is Simon Barnes, the award-winning journalist and author of The Meaning of Birds, Epic, and most recently On the Marsh: A Year Surrounded by Wildness and Wet. The Keats-Shelley Prize Judges are the poets Professor Deryn Rees-Jones and Will Kemp, and Professors Simon Bainbridge and Sharon Ruston.
Winning entries will be published in the Keats-Shelley Review or on the Keats-Shelley website.
Deadline 7th March 2021.
Poets are asked to write on the 2021 theme of ‘Writ in Water’.
Our inspiration is John Keats’ gravestone in Rome, whose epitaph reads: ‘Here lies one whose name was writ in water.’ This year’s Keats-Shelley Prizes are part of our wider KS200 programme, commemorating the death of John Keats, who was aged just 25, 200 years ago on 23rd February 1821.
- Listen to a Keats-Shelley Podcast that asks: what does John Keats’ death in Rome means to us 200 years later?
Rules and Formatting
Poets can interpret ‘Writ in Water’ freely – whether about water, writing, death, immortality, time, or any combination thereof. Poems can be comic or serious, avant garde or traditional, but the judges do advise that works drifting too far from the theme will not be considered.
Poetry judge Deryn Rees-Jones writes: ‘For me good poems adhere to no rules…except the one necessary to their own creation. Often a poem will stand out because of its precision and its ability to harness and also liberate a particular kind of energy. I think that’s to do with being able to feel and know something which is acute and subtle at the same time. The poem will be able to say something that only it can say.’
Poems should be:
- no more than 30 lines in length.
- must fit onto a single A4 page.
Entries must be original. Plagiarism will not be accepted. The poem must not have been published previously, either in print or online or in any other media, nor previously submitted to us.
You can enter more than one poem, but each entry requires a separate payment.
Cost of Entry per poem: £10.
Essays may be on any aspect of the writing and/or lives of the Romantics and their circles, and should be written in a clear and accessible style.
Prize Judge Professor Sharon Ruston writes: ‘I want to read a well-organised, lively, and well-expressed essay. It should be arguing a point and offer persuasive evidence in its case. We are also looking for someone who has a deep and creative interest in Keats, Shelley, or their circle.’
Essays should be no more than 3,000 words including quotations, All sources must be acknowledged.
Entries must be original works. Plagiarism will not be accepted. They must not have been published previously, either in print or online or in any other media, nor previously submitted to us.
You can enter up to 2 essays.
Entry is free.
- Visit our Google Earth map retracing John Keats’ Final Voyage to Italy in Septemeber 1820
Conditions of Entry
Deadline: 7th March 2021.
Entries may be submitted from any part of the world, but must be in English and Microsoft Word format.
Poems and essays are sent to the judges anonymously so please do not put your name on your actual entry.
How to Enter
All entries must be submitted via the website. The website will close on 7th March 2021 at 11.59pm. Precisely.
Click the green button below to access the Entry Page. Scroll down and complete all fields on the Entry Form. Please remember to attach your entry and click the box agreeing to the GDPR and Copyright conditions. Click the ‘Submit Prize Entry’ button.
You should see a ‘Thank You’ page and your ID number. This is confirmation that your entry has been received.
A £10 entry fee is payable for entries to the Keats-Shelley Poetry Prize. To complete your entry, click ‘Pay £10 Entry’ which takes you to payment via Paypal.
Email questions regarding the 2021 Prize to: firstname.lastname@example.org
Chair of Judges
Simon Barnes is an award-winning journalist, writer and novelist. In a 32-year career at The Times, he wrote mainly about sports, covering seven Olympics, five World Cups, a Superbowl and the World Chess Championship. His profiles included everyone from David Beckham to Red Rum, his publications range from novels about Hong Kong to a biography about England off-spinner Phil Edmunds. It was Simon’s talent for elegantly encapsulating the drama simmering underneath the action and within the players that won him readers, admiration and awards: ‘With Sampras the beauty was subtle, the tactics and execution obvious. With Federer, it was exactly the other way around,’ as he wrote in his 2018 career-spanning retrospective, Epic.
In addition to becoming The Times’ Chief sportswriter in 2002, Simon wrote columns about wildlife and birdwatching. These ushered in his second act as a writer of the natural world. Notable titles include Flying in the Face of Nature (1990), the bestselling How to be a Bad Birdwatcher (2004), and has continued with 2016’s The Meaning of Birds, Rewild Yourself (2018) and most recently On the Marsh: A Year Surrounded by Wildness and Wet. Simon was born in Bristol and grew up in London, returning to his birthplace to read English at Bristol University. In 2007, the university awarded him an honorary doctorate.
Listen to Simon consider what nightingales meant to John Keats and John Clare at the Keats-Shelley Podcast
Simon’s website is here.
Follow him on Twitter.
Professor Deryn Rees-Jones
Professor Deryn Rees-Jones was born in Liverpool with family links to North Wales, where she later studied English at the University of Bangor, before completing a literature PhD at Birkbeck College, University of London. She is Professor of Poetry at the University of Liverpool.
- Read Deryn’s poem ‘Nightingale’ - a Guardian ‘Poem of the Month - which she contributed to our own ‘Odes for John Keats’ volume.
She won an Eric Gregory award in 1993 and ‘The Memory Tray’ (Seren, 1995) was shortlisted for the Forward Prize for Best First Collection. Her other works are ‘Signs Round a Dead Body’ (Seren, 1998), ‘Quiver’ (Seren, 2004), and a groundbreaking critical study of twentieth-century women’s poetry, ‘Consorting with Angels’ (Bloodaxe, 2005), which was published alongside her accompanying anthology ‘Modern Women Poets’ (Bloodaxe, 2005). Deryn’s selected poems, ‘What It’s Like to Be Alive’, was published in 2016 and is a Poetry Book Society Special Commendation.
In 2004 Deryn was named as one of Mslexia’s ‘top ten’ women poets of the decade, as well as being chosen as one of the Poetry Book Society’s Next Generation poets. In 2010 she received a Cholmondeley Award from the Society of Authors. ‘Burying the Wren’ was published in 2012; it was a Poetry Book Society Recommendation, and shortlisted for the TS Eliot Prize and a Times Literary Supplement book of the year.
A regular collaborator with contemporary artists, her most recent work is ‘And You, Helen’ (Seren, 2014), a book and animated poem made with the artist Charlotte Hodes about the wife and widow of the poet Edward Thomas. She recently won a prestigious Leverhulme Research Fellowship.
Her current projects include working on a book about the literary narratives which inform the pictures of the artist Paula Rego, which is forthcoming from Thames and Hudson. Other smaller projects include essays on the uses of repetition in the poetry of Elizabeth Bishop, on poemfilms, and end-of-life writing. She is the editor of the new Pavilion Poetry series, for Liverpool University Press. She also co-directs the University of Liverpool’s Centre for New andInternational Writing (www.liv.ac.uk/new-and-international-writing/).
Deryn has considerable experience as a poetry judge, including the National Poetry Competition, the T.S. Eliot Prize, the Costa Prize (Poetry) and every two years chair the judging panel for the English Association’s Michael Murphy Poetry Prize for a best first collection of poetry.
Deryn’s most recent book is Paula Rego: The Art of Story, the first full-length survey of one of the most distinctive and important modern artists.
Visit Deryn’s website here.
Her profile page at the University of Liverpool is here.
Will Kemp has won the Keats-Shelley Prize (2016), the Cinnamon Pamphlet Competition (2014), the Debut Collection Award (2010), the Envoi International (2010) and the Cinnamon Short Story Award (2015). He has also been runner-up in the Keats-Shelley Prize (2013) and the Poetry Society’s Stanza Competition (2011), and highly commended in other competitions, including the Bridport and the Plough. Will regards a commendation in the Keats-Shelley Prize 2006 as the turning point in his writing career since it spurred him on during a time of self-doubt.
Cinnamon Press has published his collections to date, Nocturnes (2011), Lowland (2013) and The Painters Who Studied Clouds (2016), as well as his award-winning pamphlet, The Missing Girl (2015). His poems have been published in various journals, including: Ambit, Envoi, The Guardian, The Interpreter’s House, Iota, Magma, The North, Obsessed with Pipework, Orbis, Other Poetry, Poetry News, Poetry Scotland, The Rialto, The Times and Smith’s Knoll.
Professor Sharon Ruston
Professor Sharon Ruston is a long-standing Judge of the Prize essays. She is Professor of English Literature at the University of Lancaster, having previously taught at Bangor, Keele and Salford.
Her research specialism concerns the relations between the literature, science and medicine of the Romantic period, 1780-1820. Her first book, Shelley and Vitality (Palgrave Macmillan, 2005), explored the medical and scientific contexts which inform Shelley’s concept of vitality in his major poetry. Since then, she has worked on Mary Wollstonecraft’s interest in natural history, William Godwin’s interest in mesmerism, and Humphry Davy’s writings on the sublime. These form chapters of her most recent book, Creating Romanticism: Case Studies in the Literature, Science, and Medicine of the 1790s (Palgrave Macmillan, 2013).
In 2020, Sharon published (with Tim Fulford) the four volume Collected Letters of Sir Humphry Davy and his Circle with Oxford University Press. Read a Q&A with Sharon and Professor Fulford at the BARS Blog.
Visit Sharon’s profile page at the University of Lancaster here.
Professor Simon Bainbridge
Professor Simon Bainbridge is a long-standing Judge of the Prize essays. He teaches and writes at the University of Lancaster.
His main research interest is in the relationship between the writing of the Romantic period and its historical context. He is the author of Napoleon and English Romanticism (Cambridge University Press, 1995) and British Poetry and the Revolutionary and Napoleonic Wars (Oxford University Press, 2003) and the editor of Romanticism: A Sourcebook. He has published in journals such as Romanticism, Romanticism on the Net and The Byron Journal and has written essays and entries for An Oxford Companion to The Romantic Age: British Culture 1776-1832, Romanticism: An Oxford Guide, The Blackwell Companion to European Romanticism, and The Oxford Handbook to English Literature and Theology. Among other current projects he is working on the literature and culture of mountaineering in the Romantic period.
Visit Simon’s profile page at the University of Lancaster here.