Prize Winners

Shortlists

Longlists

Judges

• Chair of Judges

  

  Fiona Sampson

  Fiona Sampson is a writer and poet. Published in thirty-eight languages, she is a Fellow of the Royal Society of Literature and of the Wordsworth Trust, has published twenty-nine books and has received an MBE for Services to Literature.

  She’s served on the Council of the Royal Society of Literature and is Trustee of the Royal Literary Fund; other honours include the Newdigate Prize, Cholmondeley Prize, and various awards from the Arts Councils of England and of Wales, Society of Authors, Poetry Book Society and AHRC, and Book of the Year selections. She recently received the 2019 Naim Frashëri Laureateship, the 2020 European Lyric Atlas Prize, and, for Come Down, Wales Poetry Book of the Year 2021.

  Sampson’s studies of writing process include Beyond the Lyric and Lyric Cousins: Poetry and Musical Form. She edited Percy Bysshe Shelley (Faber). A critic, librettist and literary translator, she was editor of Poetry Review 2005-12 and has served internationally on the boards of publishing houses and literary NGOs, and on literary juries.

  Sampson’s writing about place including Limestone Country, a Guardian Book of the Year 2017. Her internationally acclaimed In Search of Mary Shelley (2018) was finalist for the Biographers’ Club first biography prize, and Two-Way Mirror: The life of Elizabeth Barrett Browning (2021), a New York Times Editors’ Choice and Washington Post and Prospect Book of the Year 2021, longlisted for the 2022 PEN Jacqueline Bograd Weld Award for Biography.

• Poetry Judges

  

  Professor Deryn Rees-Jones

  Deryn Rees-Jones was born in Liverpool with family links to North Wales, and she later studied English at the University of Bangor, before completing a literature PhD at Birkbeck College, University of London. She is Professor of Poetry at the University of Liverpool. She won an Eric Gregory award in 1993 and The Memory Tray (Seren, 1995) was shortlisted for the Forward Prize for Best First Collection. Her other works are Signs Round a Dead Body (Seren, 1998), Quiver (Seren, 2004), and a groundbreaking critical study of twentieth-century women’s poetry, Consorting with Angels (Bloodaxe, 2005), which was published alongside her accompanying anthology Modern Women Poets (Bloodaxe, 2005). Deryn’s selected poems, What It’s Like to Be Alive, was published in 2016 and is a Poetry Book Society Special Commendation.

  In 2004 Deryn was named as one of Mslexia’s ‘top ten’ women poets of the decade, as well as being chosen as one of the Poetry Book Society’s Next Generation poets. Deryn has considerable experience as a poetry judge, including the National Poetry Competition, the T.S. Eliot Prize, the Costa Prize (Poetry) and every two years chairs the judging panel for the English Association’s Michael Murphy Poetry Prize for a best first collection of poetry.

  Deryn’s most recent book is Paula Rego: The Art of Story, the first full-length survey of one of the most distinctive and important modern artists. Her most recent books of poems are Erato (Seren 2019) shortlisted for the T.S. Eliot Prize and Welsh Book of the Year, and Hôtel Amour (Seren 2025). She is the editor of the award-winning Pavilion Poetry series for Liverpool University Press, and a Fellow of the Royal Society of Literature.

  Read Deryn’s poem ‘Nightingale’ - a Guardian ‘Poem of the Month, from our own ‘Odes for John Keats’ volume.

  Her profile page at the University of Liverpool is here.

• 

  Will Kemp

  Will Kemp is a writer of poems, short stories and novels. He is Assistant Editor at Valley Press, teaches Creative Writing at York University and undertakes reviews for Dream Catcher and other magazines. He has won the Keats-Shelley Prize, Cinnamon Short Story Competition, Debut Collection Award, Cinnamon Pamphlet Competition and Envoi International. He has also been well-placed in many others.

  Will has had three full poetry collections published, as well as an award-winning pamphlet and 450 poems and short stories in leading journals such as: Aesthetica; The Guardian; The Interpreter’s House; Iota; Magma; The North; Orbis; Other Poetry; Poetry News; The Rialto; The SHOp; The Times.

  His debut short story collection, Surviving Larkin, was published recently by Valley Press. His fourth full poetry collection, In Another Life, will also be published shortly by Valley Press.

  He regards a commendation in the 2006 Keats-Shelley Prize as the turning point in his writing career since it spurred him on during a time of self-doubt.

• Essay Judges

  

  Professor Sharon Ruston

  Professor Sharon Ruston is a long-standing judge of essay prizes. She is Chair of Romanticism in the English Literature and Creative Writing department at the University of Lancaster.

  Her research specialism concerns the relations between the literature, science and medicine of the Romantic period, 1780-1820. She has published The Science of Life and Death in Frankenstein (2021), Creating Romanticism (2013), Romanticism: An Introduction (2010), and Shelley and Vitality (2005). She co-edited The Collected Letters of Sir Humphry Davy for Oxford University Press (2020) and led the AHRC-funded project to transcribe all of the Davy’s notebooks: wp.lancs.ac.uk/davynotebooks/

  Read a Q&A with Sharon and Professor Tim Fulford at the BARS Blog.

  Visit Sharon’s profile page at the University of Lancaster here.

• 

  Professor Simon Bainbridge

  Professor Simon Bainbridge is a long-standing judge of the essay prizes. He teaches and writes at the University of Lancaster.

  His main research interest is in the relationship between the writing of the Romantic period and its historical context. He is the author of Napoleon and English Romanticism (Cambridge University Press, 1995), British Poetry and the Revolutionary and Napoleonic Wars (Oxford University Press, 2003) and Mountaineering and British Romanticism: The Literary Cultures of Climbing, 1770 – 1836 (Oxford University Press, 2020) and the editor of Romanticism: A Sourcebook. He has published in journals such as Romanticism, Romanticism on the Net and The Byron Journal and has written essays and entries for An Oxford Companion to The Romantic Age: British Culture 1776-1832, Romanticism: An Oxford Guide, The Blackwell Companion to European Romanticism, and The Oxford Handbook of British Romanticism. He is a Trustee of the Wordsworth Trust and the Wordsworth Conference Foundation.

  Visit Simon’s profile page at the University of Lancaster here.