Young Romantics Prizes 2025-26

The Young Romantics Poetry and Essay Prize began in 2015 to encourage poets and essayists aged 16-18 to respond to the work of the Romantics. Prize Judges have included Carol Ann Duffy, Stephen Fry, Liz Lochhead, Richard Holmes, Penelope Lively, Tom Paulin, Claire Tomalin, Jack Mapanje, Simon Barnes, Fiona Sampson and Tom Holland. This year’s chair of the judging panel is author, journalist and critic Rupert Christiansen.

Young Romantics Prizes 2025-26

Prize Winners

The Keats-Shelley Memorial Association is pleased to announce the winners of the 2025-26 Young Romantics Prizes. The winning poems and essays were chosen by Rupert Christiansen, who revealed the results in London on 16th April 2026.

Read the winning poems and essays below.

The theme of 2025-26’s Young Romantics Poetry Prize was chosen to mark the 200th anniversary of Mary Shelley’s The Last Man. Entrants were invited to submit poems on the subject of either “Dystopia” or “Utopia”.

Essays could be on any aspect of the writing and/or lives of the Romantics and their circles.

Chairing the judging panel was author, journalist and critic Rupert Christiansen. The Poetry Prize judges were Will Kemp and Professor Deryn Rees-Jones. The Essay Prize judges were Professor Simon Bainbridge and Professor Sharon Ruston.

(Picture Credit: bpk / Hamburger Kunsthalle, SHK / Elke Walford)

Poetry Prize Winner

Chelsea Guo, Portrait of My Mother, Lovely Read Essay

Poetry Prize Highly Commended

Millie Hamill, The Last Nature Reserve Read Essay
Shuyu Zheng, The Regulations of Happiness Read Essay

Essay Prize Winner

Lila Abularach, Turning In and Out: John Clare’s Negotiation of the Sonnet’s Form Read Essay

Essay Prize Highly Commended

Ela Begum Kumcuoglu, To Imagine is to Resist: the Emotional Politics of Dystopia Read Essay
Matilda Sheehan, What is the appeal of dystopias in literature? Read Essay

Judges

  • Chair of Judges

    Rupert Christiansen

    Rupert Christiansen is the author of Romantic Affinities, which won the Somerset Maugham Prize in 1989. He has published many other books and reviews regularly for The Spectator and The Telegraph, as well as mentoring English Literature students at Keble College, Oxford.

  • Poetry Judges

    Will Kemp

    Will Kemp is a writer of poems, short stories and novels. He is Assistant Editor at Valley Press and has taught Creative Writing at York University.

    He has won the Keats-Shelley Prize, Cinnamon Short Story Competition, Debut Collection Award, Coast to Coast Prize, Cinnamon Pamphlet Competition and Envoi International. He has also been well-placed in many others.

    His publications include four collections of poems and short stories, two award-winning pamphlets and 500 pieces in Aesthetica, The Guardian, Iota, Magma, The North, Orbis, Poetry News, Rialto, The Times and others.

    His debut short story collection, Surviving Larkin, was published recently by Valley Press. His fourth full poetry collection, In Another Life, will also be published shortly by Valley Press.

    He regards a commendation in the Keats-Shelley Prize 2006 as the turning point in his writing career since it spurred him on during a time of self-doubt.

  • Professor Deryn Rees-Jones

    Deryn Rees-Jones is Professor of Poetry at the University of Liverpool. She won an Eric Gregory award in 1993 and The Memory Tray (Seren, 1995) was shortlisted for the Forward Prize for Best First Collection. Her other works are Signs Round a Dead Body (Seren, 1998), Quiver (Seren, 2004), and a groundbreaking critical study of twentieth-century women’s poetry, Consorting with Angels (Bloodaxe, 2005), which was published alongside her accompanying anthology Modern Women Poets (Bloodaxe, 2005). Deryn’s selected poems, What It’s Like to Be Alive, was published in 2016 and is a Poetry Book Society Special Commendation.

    In 2004 Deryn was named as one of Mslexia’s ‘top ten’ women poets of the decade, as well as being chosen as one of the Poetry Book Society’s Next Generation poets.

    Deryn has considerable experience as a poetry judge, including the National Poetry Competition, the T.S. Eliot Prize, the Costa Prize (Poetry) and every two years chairs the judging panel for the English Association’s Michael Murphy Poetry Prize for a best first collection of poetry.

    Deryn’s most recent book is Paula Rego: The Art of Story, the first full-length survey of one of the most distinctive and important modern artists. Her most recent books of poems are Erato (Seren 2019) shortlisted for the T S Eliot Prize and Welsh Book of the Year, and Hôtel Amour (Seren 2025). She is the editor of the award-winning Pavilion Poetry series for Liverpool University Press, and a Fellow of the Royal Society of Literature.

  • Essay Judges

    Professor Simon Bainbridge

    Professor Simon Bainbridge is a long-standing judge of the essay prizes. He teaches and writes at the University of Lancaster.

    His main research interest is in the relationship between the writing of the Romantic period and its historical context. He is the author of Napoleon and English Romanticism (Cambridge University Press, 1995), British Poetry and the Revolutionary and Napoleonic Wars (Oxford University Press, 2003) and Mountaineering and British Romanticism: The Literary Cultures of Climbing, 1770 – 1836 (Oxford University Press, 2020) and the editor of Romanticism: A Sourcebook. He has published in journals such as Romanticism, Romanticism on the Net and The Byron Journal and has written essays and entries for An Oxford Companion to The Romantic Age: British Culture 1776-1832, Romanticism: An Oxford Guide, The Blackwell Companion to European Romanticism, and The Oxford Handbook of British Romanticism. He is a Trustee of the Wordsworth Trust and the Wordsworth Conference Foundation.

    Visit Simon’s profile page at the University of Lancaster here.

  • Professor Sharon Ruston

    Professor Sharon Ruston is a long-standing judge of essay prizes. She is Chair of Romanticism in the English Literature and Creative Writing department at the University of Lancaster.

    Her research specialism concerns the relations between the literature, science and medicine of the Romantic period, 1780-1820. She has published The Science of Life and Death in Frankenstein (2021), Creating Romanticism (2013), Romanticism: An Introduction (2010), and Shelley and Vitality (2005). She co-edited The Collected Letters of Sir Humphry Davy for Oxford University Press (2020) and led the AHRC-funded project to transcribe all of the Davy’s notebooks: wp.lancs.ac.uk/davynotebooks/

    Read a Q&A with Sharon and Professor Tim Fulford at the BARS Blog.

    Visit Sharon’s profile page at the University of Lancaster here.